Showing posts with label deep thoughts. Show all posts
Showing posts with label deep thoughts. Show all posts

Wednesday, February 23, 2011

This is how my brain works (yes I know it's weird)

After I posted Letter 7 something about it bothered me, but I couldn't put my finger on it. What was it? The poems, I realized, the poems were sticking out too much and ruining it. I decided to change it, so I striped the poems from the interior of the letter and just put them on the bottom.

It's a temporary solution. I have no idea what do with with them.

First, let me share with you my thoughts while I was revising Letter 7, they went as follows:

Tuesday, December 7, 2010

The Art of Imitation (Or maybe just bad writing?)

"There are no originals ideas, there are only original people." --Barbara Grizzuti Harrison.
I wanted to post Letter #5 here. I really did, I had ever intention of revising it over the weekend and then posting it Monday evening. That was my plan. But then . . . but then I read over letter five and I realized it's a mess. A sticky mess. Not to mention it has some huge plot holes. It needs some major reconstruction. I was particularly struck, not only by the bad writing, but some awfully familiar images. What's this about an elven ring?

Wednesday, October 27, 2010

Plot? Character? Setting? Going once, Going Twice....

All writers go through a self loathing process. Especially during editing. I think the more I read my story, the less I like it. But the more I read Angelbird's story, the more I enjoy myself!

Why does this happen? Well, for the obvious reason that during the editing process we are our own selves worst critics. Another reason would be because editing, you search out mistakes and the further you go, the harder it is to notice the things you did RIGHT!

As my favorite poet once said:
" Oh Editing, nothing rhymes with you
and so I introduce random words, like blue
to say, Dear Editing: Nobody loves, likes, or lives you
it's very so very so so true, true, true." Lackscroft and Roe. ( with the help of a goose)

Plot wise, I always struggle with details and importantly, conflict. In order for a plot to be interesting, it has to be exciting and suprising. It has to have conflict. Who wants to read the story of the little girl with the curl who was always good? NO ONE! We want the story of the little girl who was BAD and who faced trouble, ect. Who wants the story of Hansel and Gretel and their happy family? Boring. Nothing happens. There's no where for any character to grow and, more importantly, nowhere for the story to go.

Happiness is something we long for in real life. But stories are not real life. The story must face conflict and struggle and that stuggle should shape the character's nature, for bette or for worse. ( Hopefully for better!!!!)

So, I thought I'd share my playwriting materials to help clarify important plot, character, and detail elements. Although playwriting addresses different qualites of a story, it shares the same basic plot and character needs!

I think these will be very helpful to me and help me focus less on self loathing as a writer and more on the joy of the process.

This first sheet is an idea worksheet-- it helps knock out the main elements of plot.

Working Title: Goosey.

Central Character: ( Age/Full name)

Central Character’s dominant need: ( one sentence)

Other Major Characters:

Setting ( consider different options):

Occasion: ( event which this play is set):

Major Conflict/dilemma as it manifests itself in action: ( state simply)

Resolution: ( How action is resolved)


How the central character changes by the end: ( change should be vast)

Dramatic premise: ( Journey [blank] leads to [blank] )

And here is a short form biography that I do for my character's in acting, but it's pertinet for story writing as well:

Short Form Biography


Character’s Name:

Physical Characteristics


Age: Date of Birth:


Height: Weight:

Eye Color: Hair Color:

Skin Color/Tone:

Posture:

Grooming:

Vocal Quality:

General Appearance: ( indicate handsomeness or beauty, elegance or crudeness, sex appeal, “ presence,” general health, any physical problems or defects, etc.)


External World

I. Family Situation

Father: ( include age if alive or how long ago he died, occupation, any special characteristics, nature of relationship with, etc/)

Mother: ( include age if alive or how long ago he died, occupation, any special characteristics, nature of relationship with, etc)

Siblings: ( identify if brother(s) or sister(s), ages, any special characteristics, nature of relationship with each, etc.)


Other important relatives: ( what relative(s), age special characteristics, nature or relationship with, etc.)


Family’s ability to function: ( happy, disruptive, dysfunctional, unusual in some way, etc).

Marital status: ( if not married, describe any significant romantic relationship( s). If married, how long? Describe spouse. If divorced, how long? Any special circumstances?

Children: ( include names, ages, nature or relationship with, etc)

Sex life: ( healthy, active, dormant, frustrated, specific problems, etc)

Close friends: ( those considered extended family, include names, ages, nature or relationship with)

II. Place in the Community

Occupation: ( include how long in the field)

Education: ( indicate quality as well as how much)

Economic class: ( include annual income)

Political affiliation(s): ( Republican, Democrat, Independent, conservative, liberal, moderate, other)

Religious affiliation: ( if it exists, indicate how active)

Other important organizational memberships:

General status in community: ( how perceived in the eyes of others—leaders or follower, asset or liability, etc.)

III. Leisure-Time activities


Internal world

Intelligence: (some measure for comparison and how it manifests itself)

Personality type: (extrovert or introvert, optimistic or pessimistic, hot tempered or cool, etc.)

General Sense of Self: (degree of self- confidence, self-esteem, etc.)

Sexuality: (how powerful a force, degree of comfort with, etc.)

Spiritual life: (nature and strength of--- does God fit in somewhere and if so how and to what extent?)

Sense of morality: (how strong is it? How does it manifest itself?)

Major secrets ( that they haven’t told anyone; prioritize if more than one)

Personal goals: (prioritize if more than one)

Major disappointments: (prioritize if more than one)

Special qualities and talents: (unique physical, intellectual, artistic, or spiritual traits).

Monday, October 11, 2010

Let's Play Perception!

" 'Be what you would seem to be' - or, if you'd like it put more simply -'Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise."  the Duchess, from Alice's Adventures in Wonderland by Lewis Carroll
While trying to figure out how to improve letter three, and my writing in general, I read through a Writer's Digest article on POV. (Alicia's Rasley's The Power of Point of View, 2008. Here's her blog: edittorrent.) After all we each have our own personal way of viewing the world, and it makes sense, especially in a first person story, to individualize the POV.

I like to think I do this already, but I could do it better, or at least be aware of it. Sometimes even when talking about Goosey I'll use first person. I become the character. I am Ange. (See my user name is Angelbird, but right now I'm writing as the author.)

Friday, September 24, 2010

How appropriate! And timely too.

I just noticed that Gail Carson Levine posted about retelling fairy tales -- about why she is drawn to these stories.

I could totally relate.

Here's the link: http://gailcarsonlevine.blogspot.com/2010/09/why-fairy-tales.html

Why do I like rewriting fairy tales? Its fun, of course. But it goes much deeper than that. I've always been drawn to fantasy, since seventh grade specifically, and of course I had my early exposure to the Disney fairy tales of Snow White, The Little Mermaid, Beauty and the Beast and Aladdin. There is something compelling about the language of fairy tales: the simplicity and yet complexity. I'm also drawn to symbolism, and allegory; the power of storytelling comes not just from having complex characters, good dialogue, or clever word play, but from the meaning hidden evoked by the language.

How literary I'm getting . . . I haven't ever tried to put in words why I write fantasy, though I've thought about it plenty -- almost as much as why I write.

One of reasons I write, that I am a writer, is because I have these stories and I want to share them. Fairy tales are the perfect example of stories that have beeen shared for hundreds of years, from the Grimms Brothers, Disney and through modern retelling.